出版社: 四川大学出版社; 第1版 (2008年4月1日)

平装: 239页

正文语种: 简体中文, 英语

开本: 32

ISBN: 9787561440056

条形码: 9787561440056

尺寸: 20 x 13.8 x 1.2 cm

重量: 222 g

约翰·厄普代克是美国当代着名小说家、文论家、诗人，不仅成果纍纍，且文采熠熠，几乎揽获美国所有的文学大奖，被誉为世界最佳英语小说家之一。

《重写与颠覆:约翰·厄普代克红字三部曲之互文研究》主要内容：约翰·厄普代克是美国当代着名小说家、文论家、诗人，不仅成果纍纍，且文采熠熠，几乎揽获美国所有的文学大奖，被誉为世界最佳英语小说家之一。其文坛地位祓认为与霍桑和纳博科夫等大师齐名。《重写与颠覆:约翰·厄普代克红字三部曲之互文研究》研究的对象是厄普代克“《红字》三部曲”——《整月都是礼拜天》(1975)、《罗杰教授的版本》(1986)、《S.》(1988)与霍桑《红字》(1850)之间的互文关係。其主要任务是：(1)考证二者之间的互文事实；(2)梳理厄普代克互文小说的创作方法；(3)品评其互文艺术的特点；(4)甄别其世界观在这几部作品中的体现；(5)提高对美国社会文化的认识。

Introduction

Chapter 1 Intertextuality and Its Critical Approaches

1.1 The Theory of Intertextuality

1.2 Critical Approaches for Intertextual Investigation

Chapter 2 Imitative Intertextuality: The Prototypal Elements

2.1 Archetypal Projections in the Myth of Eden: The Shared Prototypes

2.1.1 Archetypal Projections in the Myth of Eden

2.1.2 Prototypes from the Myth of Eden for The Scarlet Letter

2.1.3 Direct Connections of Updike's Trilogy with the Myth of Eden

2.2 Prototypes for Updike's Trilogy Deriving from The Scarlet Letter

2.2.1 The Prototypal Characters

2.2.2 The Thematic Prototypes

2.2.3 The Symbolic Prototypes

Chapter 3 Derivative Intertextuality: The Extended Elements

3.1 Revelation of Unpublicized Details

3.2 Exposure of Characters behind the Scenes

3.3 Segmentation of Characters

3.4 Prequel/Sequel Scenarios

3.5 Paratextual Intertextuality

Chapter 4 Subversive Intertextuality: The Aggressive Elements

4.1 The Common Topics

4.2 Hawthorne's Attitudes and Opinions

4.3 Updike's Attitudes: Agreements and Subversions

4.3.1 The Agreed Elements

4.3.2 The Subverted Elements

Chapter 5 The Updikian Intertextual Narration: An Assessment

5.1 Rewriting Classics: A Specialty of Updike

5.2 The Updikian Intertextual Narration: Aesthetic Concerns

5.3 Updike's Voice: Thematic Concerns

5.3.1 Sex and Adultery

5.3.2 Religious Matters

5.3.3 Women's Liberation

Conclusion

Notes

Works Cited